July 27, 2013
Book review: Private Games by James Patterson and Mark Sullivan
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Description:
On your mark
Private, the world's most renowned investigation firm, has been commissioned to provide security for the 2012 Olympic Games in London. Its agents are the smartest, fastest, and most technologically advanced in the world, and 400 of them have been transferred to London to protect more than 10,000 competitors who represent more than 200 countries.
Get set
The opening ceremony is hours away when Private investigator and single father of twins, Peter Knight, is called to the scene of a ruthless murder. A high-ranking member of the games' organizing committee has been killed. It's clear to Peter that this wasn't a crime of passion, but one of precise calculation and execution.
Die
Newspaper reporter Karen Pope receives a letter from a person who calls himself Cronus claiming responsibility for the murders. He promises to restore the Olympics to their ancient glory and to destroy all those who have corrupted the games with lies, corruption, and greed. Immediately, Karen hires Private to examine the letter, and she and Peter uncover a criminal genius who won't stop until he's completely destroyed the modern games.
Rating: 3 stars (out of 5)
Review:
Private Games is a thriller about a terrorist who threatens the 2012 Olympic Games is London. It's the fourth James Patterson book I've read, having now read an Alex Cross book, one from the Women's Murder Club series, and Maximum Ride: The Angel Experiment. As with the other three James Patterson book, I found this one to be just so-so.
As a fan of thrillers, I thought that the story had potential. It moved at a pretty good pace, and the topic was one that interested me. The biggest problem I had with Private Games was that I didn't care about any of the characters, a problem I have with other Patterson novels. Despite everything that was happening to Peter Knight and his family, friends, and colleagues, it didn't bother me when any of them were in danger. Except for one, I didn't feel much sympathy for any of Cronus's victims. The authors didn't spend enough time letting the readers know the characters and build up an investment in them.
A less annoying problem with this book was that it tried to portray an accurate picture of the Olympics only some of the time. Since the book was written before the games took place, I didn't expect it to predict what would happen during the Olympics. However, to include high profile events like the men's 100 meter sprint in the novel without giving any mention to the international leaders in the sport (hasn't James Patterson heard of Usain Bolt??) seemed like a shame. It made the story even more unbelievable than it was.
If you're a fan of James Patterson, you will probably like Private Games, but if you're just looking for a good thriller, there are better choices out there.
I read this book as part of the Authors A to Z reading challenge. Next up: The 500 by Matthew Quirk.
July 20, 2013
What's in a name?
There was big news this past week in the book world when it was revealed that J.K.Rowling, author of the Harry Potter series, published a mystery titled The Cuckoo's Calling under the pseudonym Robert Galbraith. What struck me as most interesting about the story wasn't that Rowling wrote a book using a fake name. Stephen King famously did it when he created the alias Richard Bachman. Like Rowling's pseudonym, people soon found out who Richard Bachman really was.
What caught my attention was how well The Cuckoo's Calling sold before the revelation and after. In the first three months after publication, when readers thought an unknown author named Robert Galbraith wrote The Cuckoo's Calling, the book sold 1,500 copies. That's nothing to sneeze at (I would love to sell 1,500 copies in three months!), but it won't land the book on any best-seller lists. However, I know several indies who sell more.
Once news broke that the author was really J.K. Rowling, the book zoomed up to #1 on Amazon within a day! Talk about a marketing strategy that works!
Aside from asking whether the revelation was a ploy boost sales, the events made me wonder about a few things:
What caught my attention was how well The Cuckoo's Calling sold before the revelation and after. In the first three months after publication, when readers thought an unknown author named Robert Galbraith wrote The Cuckoo's Calling, the book sold 1,500 copies. That's nothing to sneeze at (I would love to sell 1,500 copies in three months!), but it won't land the book on any best-seller lists. However, I know several indies who sell more.
Once news broke that the author was really J.K. Rowling, the book zoomed up to #1 on Amazon within a day! Talk about a marketing strategy that works!
Aside from asking whether the revelation was a ploy boost sales, the events made me wonder about a few things:
- Why wasn't Rowling's publishing team able to sell more copies of the book before the news? Isn't that what traditional publishing companies are supposed to do for authors in return for taking a big cut of book revenues? If they couldn't do it for J.K. Rowling, what hope is there for a truly new author?
- For the rest of us whose real names aren't J.K. Rowling or Stephen King, what can we do to get more people to buy our books? Supposedly, The Cuckoo's Calling was a well-written book and well reviewed, but as we see here, a good book doesn't translate into good sales.
- If the author's name is so important, at what level of success does the name naturally bring in sales? How big do you have to get so that just having your name attached to a book results in sales?
July 13, 2013
Book review: Birthmarked by Caragh M. O'Brien
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Description:
In the Enclave, your scars set you apart, and the newly born will change the future.
In
the future, in a world baked dry by the harsh sun, there are those who
live inside the walled Enclave and those, like sixteen-year-old Gaia
Stone, who live outside. Following in her mother's footsteps Gaia has
become a midwife, delivering babies in the world outside the wall and
handing a quota over to be "advanced" into the privileged society of the
Enclave. Gaia has always believed this is her duty, until the night her
mother and father are arrested by the very people they so loyally
serve. Now Gaia is forced to question everything she has been taught,
but her choice is simple: enter the world of the Enclave to rescue her
parents, or die trying.
A stunning adventure brought to life by a memorable heroine, this dystopian debut will have readers racing all the way to the dramatic finish
A stunning adventure brought to life by a memorable heroine, this dystopian debut will have readers racing all the way to the dramatic finish
Rating: 3 stars (out of 5)
Review:
There were many similarities between Birthmarked and The Line, a book I reviewed in April. Both had interesting premises, based on their descriptions, both turned out to be different types of stories than I anticipated, and both failed to live up to expectations.
Like The Line, the main problem with Birthmarked was how slowly it moved. Whenever the plot reached a point where I expected it to pick up, the author stretched it out with long scene descriptions or having the characters make choices that lessened the tension. Whereas The Line was agonizingly slow in the beginning and then picked up, Birthmarked maintained its sluggish pace throughout. However, it was a better book than The Line overall.
I wouldn't say that I hated the novel though. After all, it received three stars, not one or two. There were parts of it that I liked, for example the small reveals that the author provided as the plot unfolded. I also liked the male protagonist almost from the beginning. Birthmarked had a lot of potential to be better. Unfortunately, it never got there.
I read this book as part of the Authors A to Z reading challenge. Next up: Private Games by James Patterson.
July 7, 2013
First draft of fourth novel done!
When I started writing the first draft of my fourth novel (I still can't believe I'm on my fourth!) in March, I set as a goal to finish it by the Fourth of July weekend. Well, I did it! The weekend isn't over yet, and I'm done with the first draft!
This is usually the time when I start editing my manuscript, the part of being an author that I most abhor. However, this time around, I'm going to put it off for a month. I'm not doing this just because I dislike editing. I also want to try a technique that other authors have suggested -- setting aside a first draft because it's still fresh in my mind. The rationale is that if I take a break from the manuscript, then when I look at it again, I'm more likely to spot problems with it. I'm all for trying new ways to improve my writing.
The other reason I'm postponing editing my novel is that I want to try something that I've been thinking of doing for the last year: writing more short fiction. For an unknown author like me, publishing short stories is another avenue to market my body of work. I also have some story ideas that I haven't written because there isn't enough to turn them into a novel, but they're well suited for a short story or novella. It's time to give one of those ideas the chance to see the light of day.
My intention is to spend a month or so working on a short story, publish it, and then go back to editing my novel. Not only will I have added another book to my writing resume, but I also hope that the time off will make me a better critic of my novel in progress.
This is usually the time when I start editing my manuscript, the part of being an author that I most abhor. However, this time around, I'm going to put it off for a month. I'm not doing this just because I dislike editing. I also want to try a technique that other authors have suggested -- setting aside a first draft because it's still fresh in my mind. The rationale is that if I take a break from the manuscript, then when I look at it again, I'm more likely to spot problems with it. I'm all for trying new ways to improve my writing.
The other reason I'm postponing editing my novel is that I want to try something that I've been thinking of doing for the last year: writing more short fiction. For an unknown author like me, publishing short stories is another avenue to market my body of work. I also have some story ideas that I haven't written because there isn't enough to turn them into a novel, but they're well suited for a short story or novella. It's time to give one of those ideas the chance to see the light of day.
My intention is to spend a month or so working on a short story, publish it, and then go back to editing my novel. Not only will I have added another book to my writing resume, but I also hope that the time off will make me a better critic of my novel in progress.
July 3, 2013
Book review: Headhunters by Jo Nesbo
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Description:
Roger Brown is a corporate headhunter, and he’s a master of his profession. But one career simply can’t support his luxurious lifestyle and his wife’s fledgling art gallery. At an art opening one night he meets Clas Greve, who is not only the perfect candidate for a major CEO job, but also, perhaps, the answer to his financial woes: Greve just so happens to mention that he owns a priceless Peter Paul Rubens painting that’s been lost since World War II—and Roger Brown just so happens to dabble in art theft. But when he breaks into Greve’s apartment, he finds more than just the painting. And Clas Greve may turn out to be the worst thing that’s ever happened to Roger Brown.
Rating: 4 stars (out of 5)
Review:
I've been seeing Jo Nesbo's name pop up more and more lately, with people saying he's the next Stieg Larsson. Then again, that means little to me since I've never read Stieg Larsson, but I've watched the Dragon Tattoo movies. :-)
First off, let me say that I didn't care for the protagonist of Headhunters, Roger Brown. It wouldn't have bothered me what kind of tragedy befell him. However, I still found the book entertaining because it was interesting to read about the situations that Jo Nesbo put him in. One of the situations was probably the most revolting scenes I've read in a long time. I won't spoil it (or disgust you), but surprisingly, it didn't involve any blood or dead bodies. (There is another disgusting scene with blood and dead bodies, but for some reason, it didn't bother me as much. Nesbo is a sick bastard nonetheless.)
Headhunters also included a couple of delightful twists, one that I sort of saw coming and one that I didn't at all. The story starts out making you think it's about an art heist until you learn something else is going on, only to find out there's yet another reason for the actions in the book. Jo Nesbo does a good job of narrating so that it kept me on my toes.
Aside from an unsympathetic protagonist, I wondered about the reasons why both Roger Brown and the villain of the novel did some of the things they did. Nesbo seems to like having his characters take things to extremes when it wasn't necessary, when a more rational option was available. Those choices made the story more interesting, perhaps, but it also lost credibility in my mind.
Despite its flaws, I can see why the author has received the praise heaped upon him. Headhunters is a solid story that piqued my interest in more of Nesbo's works.
I read this book as part of the Authors A to Z reading challenge. Next up: Birthmarked by Caragh M. O'Brien.
June 28, 2013
Book review: Ten by Gretchen McNeil
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Description:
Shhhh!
Don't spread the word! Three-day weekend. House party.
White Rock House on Henry Island.
You do not want to miss it.
It was supposed to be the weekend of their lives—three days on Henry Island at an exclusive house party. Best friends Meg and Minnie each have their own reasons for wanting to be there, which involve their school's most eligible bachelor, T. J. Fletcher, and look forward to three glorious days of boys, bonding, and fun-filled luxury.
But what they expect is definitely not what they get, and what starts out as fun turns dark and twisted after the discovery of a DVD with a sinister message: Vengeance is mine.
Suddenly, people are dying, and with a storm raging outside, the teens are cut off from the rest of the world. No electricity, no phones, no internet, and a ferry that isn't scheduled to return for three days. As the deaths become more violent and the teens turn on each other, can Meg find the killer before more people die? Or is the killer closer to her than she could ever imagine?
Rating: 4 stars (out of 5)
Review:
Ten has been on my TBR list for a few months, and I finally got around to reading it for the A to Z reading challenge. One thing I have to say about this book is that it keeps up the pace, and I had a hard time putting it down. There's something happening in every chapter, and the book is written in a simple language that makes the story speed by.
The plot itself is fairly standard, taken straight out of a typical teenager horror movie. Even most of the characters are the stereotypes you find in other stories in the genre, complete with their own flavor of high school drama. And like the teens in many horror flicks, I couldn't believe it took so long for the characters in this book to figure out that something bad was happening. If the author had made the characters smarter and focused less on their high school problems, I might have given this book 5 stars.
Despite the criticism, I did enjoy this book and will read others from the author. If you're looking for a fun story that entertains but doesn't challenge you intellectually, Ten will do a pretty good job of that.
I read this book as part of the Authors A to Z reading challenge. Next up: Headhunters by Jo Nesbo.
June 22, 2013
Pet peeves in books I read
As a reader, there are certain things about the books I read that turn me off of them. If a novel has one of these "flaws", I won't like it as much as one without any.
Books that are too long:
I can't recall ever reading a novel of more than 400 pages where I thought every page needed to be there, even when it comes to some of my all time favorites, like the latter books in the Harry Potter series. It's always been the case that I would have enjoyed the book more if it were shorter. (And I'm not the only who thinks recent books are too long.) For me, the sweet spot for the length of a novel is between 300 and 400 pages. That's enough to tell a rich story while keeping it interesting. This is one of the main reasons why I'm not a fan of Stephen King. That guy suffers from a severe case of "diarrhea of the typewriter," as he calls it. Another recent example is The Passage by Justin Cronin. Weighing in at almost 800 pages, I had to wade through 200 of them before anything interesting happened. If not for the rave reviews from readers with similar tastes as mine, I would've stopped reading The Passage by page 100.
Love triangles:
For some reason, love triangles are a staple of young adult novels, which also happens to be my favorite genre to read (and write!). I don't understand why YA authors feel the need to include a love triangle in their books. Is it because they feel that they need to stick to a formula? Honestly, in real life, how many of your romantic relationships involved a love triangle? Maybe I've led a boring life, but a small minority of the ones involving me or my friends have ever included a third person. It's tough enough for two people to get together. Why the need to throw in a third?
Character actions that don't make sense:
Part of this pet peeve has to do with the one above regarding love triangles. When there is a love triangle involving a girl and two boys (which is almost always the case), the girl will choose the bad boy, the mysterious one, rather than the one that I think is best for her. A perfect example of this is Matched by Ally Condie. There was no rational reason for Cassia to even consider Ky over Xander except that there would be no story unless Cassia kept making one decision after another that didn't make sense. I was frustrated with Cassia by the end of the book and don't plan to continue the series.
It's not just with love triangles where a character's actions don't make sense. If a protagonist starts off as being timid and later becomes a hero, there had better be a good reason why she turns into a hero. I can understand when someone has to do something heroic because the situation offers no other choice, or if a character does something heroic because her goal is really something else, but "because I need a hero" is not a good reason for an author to turn Clark Kent into Superman. Better to have the protagonist start off having heroic qualities so that it's more believable.
Cliffhangers
I'm a firm believer that every book should resolve the major plot lines that it introduced. As a marketing hook, writers are sometimes told to end a book in a series on a cliffhanger so that readers will buy the next book. I think this is cheating and unfair to the reader. I continue reading a series because the first books are so interesting that I want more of the same, not because I have to due to a cliffhanger. If anything, I've stopped reading a series that could have been interesting because the first book ended with a cliffhanger. With cliffhangers, I feel that the author is just resorting to marketing schtick rather than caring about the quality of the story.
As a writer, it would be hypocritical of me to include one of my own pet peeves in my novels. So far, I believe I've managed to avoid them. The closest that I've knowingly come to carrying out a pet peeve was in Beyond New Eden, when I hinted at a possible love triangle. I tried to nip it in the bud when it looked like it was blossoming, and I hope I was successful.
You can continue to look forward to more novels from me that are less than 400 pages, do not have love triangles for the sake of love triangles, where the characters do things that I believe have real motivations, and conclude without a cliffhanger!
Books that are too long:
I can't recall ever reading a novel of more than 400 pages where I thought every page needed to be there, even when it comes to some of my all time favorites, like the latter books in the Harry Potter series. It's always been the case that I would have enjoyed the book more if it were shorter. (And I'm not the only who thinks recent books are too long.) For me, the sweet spot for the length of a novel is between 300 and 400 pages. That's enough to tell a rich story while keeping it interesting. This is one of the main reasons why I'm not a fan of Stephen King. That guy suffers from a severe case of "diarrhea of the typewriter," as he calls it. Another recent example is The Passage by Justin Cronin. Weighing in at almost 800 pages, I had to wade through 200 of them before anything interesting happened. If not for the rave reviews from readers with similar tastes as mine, I would've stopped reading The Passage by page 100.
Love triangles:
For some reason, love triangles are a staple of young adult novels, which also happens to be my favorite genre to read (and write!). I don't understand why YA authors feel the need to include a love triangle in their books. Is it because they feel that they need to stick to a formula? Honestly, in real life, how many of your romantic relationships involved a love triangle? Maybe I've led a boring life, but a small minority of the ones involving me or my friends have ever included a third person. It's tough enough for two people to get together. Why the need to throw in a third?
Character actions that don't make sense:
Part of this pet peeve has to do with the one above regarding love triangles. When there is a love triangle involving a girl and two boys (which is almost always the case), the girl will choose the bad boy, the mysterious one, rather than the one that I think is best for her. A perfect example of this is Matched by Ally Condie. There was no rational reason for Cassia to even consider Ky over Xander except that there would be no story unless Cassia kept making one decision after another that didn't make sense. I was frustrated with Cassia by the end of the book and don't plan to continue the series.
It's not just with love triangles where a character's actions don't make sense. If a protagonist starts off as being timid and later becomes a hero, there had better be a good reason why she turns into a hero. I can understand when someone has to do something heroic because the situation offers no other choice, or if a character does something heroic because her goal is really something else, but "because I need a hero" is not a good reason for an author to turn Clark Kent into Superman. Better to have the protagonist start off having heroic qualities so that it's more believable.
Cliffhangers
I'm a firm believer that every book should resolve the major plot lines that it introduced. As a marketing hook, writers are sometimes told to end a book in a series on a cliffhanger so that readers will buy the next book. I think this is cheating and unfair to the reader. I continue reading a series because the first books are so interesting that I want more of the same, not because I have to due to a cliffhanger. If anything, I've stopped reading a series that could have been interesting because the first book ended with a cliffhanger. With cliffhangers, I feel that the author is just resorting to marketing schtick rather than caring about the quality of the story.
As a writer, it would be hypocritical of me to include one of my own pet peeves in my novels. So far, I believe I've managed to avoid them. The closest that I've knowingly come to carrying out a pet peeve was in Beyond New Eden, when I hinted at a possible love triangle. I tried to nip it in the bud when it looked like it was blossoming, and I hope I was successful.
You can continue to look forward to more novels from me that are less than 400 pages, do not have love triangles for the sake of love triangles, where the characters do things that I believe have real motivations, and conclude without a cliffhanger!
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